Born August
23, 1966 in Indianapolis, Indiana
Lives and works in New York City
EDUCATION
| 1995 |
MFA, University of
California, Los Angeles |
| 1988 |
BFA, Boston University |
ONE-PERSON EXHIBITIONS
| 2007 |
Everybody Knew That Canadians were the Best Hockey Players, Deitch
Projects, New York |
| 2003 |
ACME., Los
Angeles |
| 2000 |
Deitch
Projects, New York |
| 1999 |
ACME.,
Los Angeles |
| 1997 |
Jay Gorney
Modern Art, New York (Two
Person exhibition with Judie Bamber) |
| 1997 |
ACME., Santa Monica, CA |
SELECTED GROUP EXHIBITIONS
| 2008 |
Out of Shape, Frances Lehman Loeb Art Center, Poughkeepsie, NY |
| 2007 |
NeoIntegrity, Derek Eller Gallery, New York, NY |
| |
Celebrity, Scottsdale Museum of Contemporary Art, Scottsdale, AZ |
| |
Fung Wah, Howard Yezerski Gallery, Boston MA |
| 2006 |
ArtBasel, Deitch Projects, Basel Switzerland |
| |
Stiff, Gallery 40000, Chicago, Illinois |
| 2005 |
Superstar, Kunsthalle,
Wien |
| |
Tete
a Tete,
Greenberg Van Doren Gallery, New York |
| |
Honeymoon
with Romeo, Groeflin/Maag Galerie, Basel |
| |
Image/Text,
G.A.S.P., Boston |
| 2004 |
The
Charged Image, Joseloff Gallery, University of Hartford,
West Hartford, CT |
| |
Monument
to Now, Deste Foundation
for Contemporary Art, Athens, Greece |
| |
She’s
Come Undone, Artemis Greenberg
Van Doren, New York, NY |
| |
When
I think of You I Touch Myself,
New York Academy of Art, curated by David Humphrey |
| |
Singing
My Song, ACME, Los Angeles |
| 2003 |
Crosscurrents:
Contemporary Art from the Neuberger Berman Collection,
Henry Art Gallery, Seattle, Washington |
| |
Reverie:
Works from the Collection of Douglas Cramer,
The Speed Art Museum, Louisville, KY |
| 2002 |
By The
Hand of the Father, Luckman
Fine Arts Center, Cal State LA, Los Angeles |
| |
Cher
Peintre, Centre Pompidou,
Musee National D’Art Moderne, Paris; travelled
to Kunsthalle, Wien and Schirn Kunsthalle, Frankfurt. |
| |
Mask
or Mirror? A Play of Portraits,
Worcester Museum of Art, Worcester, MA |
| |
Post
L.A. Cool, San Jose Museum
of Art, San Jose CA, curated by Michael Duncan |
| |
Enough
About Me, Momenta, Brooklyn,
NY, curated by Deb Kass |
| |
Supernatural
Playground, Marella Arte
Contemporanea, Milan |
| 2001 |
Form
Follows Fiction, Castello
di Rivoli, Torino, Italy |
| |
Casino
2001, First Quadrennial of Contemporary Art,
Stedelijk Museum Voor Actuele Kunst, Gent, Belgium |
| |
Before
They Became Who They Are,
Kravets/Wehby, New York, NY |
| 2000 |
Whitney
Biennial, Whitney Museum
of American Art, New York, NY |
| |
Recent
Acquisitions, Deste Foundation,
Athens, Greece |
| |
Art on
Paper, Weatherspoon Art Gallery,
The University of North Carolina at Greensboro, Greensboro,
North Carolina |
| 1999 |
In Your
Face, New Langton Arts, San
Francisco, CA |
| 1998 |
Painting
From Another Planet, Deitch
Projects, New York, NY |
| |
Transience
and Sentimentality, Institute
of Contemporary Art, Boston, MA |
| 1996 |
Be Specific,
Rosamund Felsen Gallery, Santa Monica, CA |
| |
Subject/
Object, Cerritos College
Art Gallery, Cerritos, CA |
| 1995 |
Realm
of Morpheus: Dream Image in Art,
Nexus Foundation for Today's Art, Philadelphia, PA |
| |
Self-Portrayal,
Post Gallery, Los Angeles, CA |
| |
Vital
Signs, L.A. Municipal Art
Gallery, Barnsdall Art Park, Los Angeles, CA |
| |
ACME
Gallery, Santa Monica, CA |
| |
MFA Thesis
Exhibition, University of
California Los Angeles, Los Angeles, CA |
| 1994 |
House
of Styles, TRI Gallery, Los
Angeles, CA |
| |
Figuratively
Speaking, Jan Abrams Gallery,
Los Angeles, CA |
| |
The Hot
Crop, Claremont Mckenna College
Gallery, Claremont, CA |
| 1990 |
Figures,
Faces, and Body Parts, Visual
Arts Gallery, New York, NY |
BIBLIOGRAPHY
| 2005 |
Cohen, David. “Gallery-Going:
Tete a Tete,” The New York Sun, June 30 |
| |
Schwendener, Martha. “Tete
a Tete,” Time Out New York, July 7-13, p. 73 |
| |
Karmel, Pepe. “Max Ernst
and Contemporary Art,” Max Ernst: A Retrospective,
pp. 95-96 |
| 2004 |
Erikson, Matthew. “Banished
Painting Raises Questions,” The Hartford Courant,
September 29 |
| |
Erikson, Matthew. “The Body
Electric,” The Hartford Courant, September 24 |
| |
Highet, Alistair. “Carnal
Knowledge,” Preview Connecticut, September, pp. 16-19 |
| |
Bloom, Larry. “Cary Grant,
Nude,” Connecticut Magazine, September, pp. 12-13 |
| |
Johnson, Ken. “She’s
Come Undone,” The New York Times, July 9, p.
E28 |
| 2003 |
Nochlin, Linda. “New
Tricks for an Old Dog: The Return of Painting,” Contemporary,
No. 58, p20. |
| |
Kinney, Tulsa. “Stripping
Cary Grant,” Los Angeles City Beat, June 26,
p. 27 |
| |
Pagel, David. “A
Cool Jolt from a Familiar Image,” The Los Angeles
Times, June 20,
p. E19 |
| |
Hughes, Robert J. “Rising
Stars of Spring,” The Wall Street Journal, April
4 |
| |
Finch, Charlie. “The
Armory Show Runs its Course,” Artnet.com, March
7, |
| |
Adams, Brooks. “Picabia,
The New Paradigm,” Art in America, March 2003,
p. 84 |
| |
Pisano, Hortense. “Mut
Zum Trash,” Journal Frankfurt, January 17-30,
p. 46 |
| 2002 |
Temin, Christine. “Strange
Likeness,” The Boston Globe, December 20, 2002,
p. E17 |
| |
Liebman, Lisa. “Best
of 2002,” ArtForum, December 2002, p. 108 |
| |
Gute, Charles, et al. “Focus
Painting Part One,” Flash Art, October 2002,
p. 78-85 |
| |
Burnett, Craig. “Previews,” Modern
Painters, Summer 2002, p. 121 |
| |
Bush, Kate. “Cher
Peintre, Lieber Maler, Dear painter,” Art Forum,
October 2002, p. 149 |
| |
Edwards, Natasha. “Cher
Peintre peins-moi,” Modern Painters, Autumn
2002, p. 145 |
| |
Leydier, Richard. “Cher
peintre,” artpress, September 2002, pp. 82-84 |
| |
Tuymans, Luc. “What
the Painters Say” artpress, July-August, 2002,
pp. 37-46 |
| |
Knofel, Ulrike. “Attacke
der Kitsch-Rebellen,” Der Spiegel, Nr. 25, June
17, p. 192 |
| |
Dagen, Philippe. “Le
Peinture en France Malade de la Derision,” Le
Monde, June 14, 2002 |
| |
Landi, Ann. “The
Real Thing?” Art News, June 2002, pp. 88 - 91 |
| |
Predicatori, Mara. “Supernatural
Playground,” Flash Art International, p. 122,
April-May 2002 |
| |
Farronato, Milovan. “Supernatural
Playground,” Tema Celeste, p. 107, March-April
2002 |
| |
Pola, Francesca. “Supernatural
Playground,” Segno, March-April, 2002 |
| |
Corradini, Mauro. “L’Universo
della Grande Mela,” Cultura Bresciana, p.33,
March 21 |
| |
Farquharson, Alex. “The
New Americans,” Art Forum, p. 136, March 2002 |
| |
Cunningham, Bill . “Evening
Hours,” The New York Times, Section 9, p.5,
February 24 |
| |
Dunn, Melissa and Charles Gute. “Spotlight
Casino 2001,” Flash Art, January-February |
| |
Beatrice, Luca. “Spotlight
Form Follows Fiction,” Flash Art, January-February |
| |
Eichler, Dominic. “Casino
2001,” Frieze, January-February 2002, pp. 97-98 |
| 2001 |
Fanelli, Franco & Francesca
Comisso. “Com’e Finto
il Post-Uomo,” Vernissage,
Numero 21, November 2001, pp. 4-8 |
| |
Israel, Nico. “A
Winning Bet,” Vogue, November 2001, p. 372 |
| |
Moliterni, Rocco. “La
Forma Segue La Finzione: A Rivoli Le Ricerche Artistiche
Degli Ultimi Dieci Anni,” La Stampa, October
19 |
| |
Hainley, Bruce. “Brian
Calvin,” Artforum, February 2001, pp. 140-141 |
| |
Finch, Charlie. “Norman
Dubrow Gives it Away,” artnet, February 2, 2001 |
| 2000 |
Kleinfelder, Karen. Art
History, December 2000, v23, i5, p. 800 |
| |
Gingeras, Alison. “Subversion
du Kitsch,” artpress, December 2000, pp. 28-36 |
| |
Gingeras, Alison. “Kurt
Kauper,” artpress, September 2000, pp. 75-76. |
| |
Edelson, Sharon. “Creative
Types,” W, September 2000, pp. 371-384 |
| |
Colman, David. “The
Wonderful Wizard of Art,” Harper’s Bazaar,
September 2000, p. 536 |
| |
Canning, Susan. “You
Can’t Always Get What You Want,” Art Papers,
July/August 2000, pp. 20-25 |
| |
Duncan, Michael. “Blinded
by Buzzwords,” Art in America, July 2000, p.
40 |
| |
Wei, Lilly. “2000
Biennial Exhibition,” Art News, May 2000, p.
225 |
| |
Kimmelman, Michael. “A
New Whitney Team Makes Its Biennial Pitch,”
The New York Times, March 24, 2000, pp. E31, E33 |
| |
Knight, Christopher. "Not
Enough Reasons to Celebrate," The Los Angeles
Times,
March 24, 2000, p. F21 |
| |
Vogel, Carol. “Inside
Art,” The New York Times, March 3, 2000, p.
E48 |
| |
Cotter, Holland. “With
a Nervy Sense of Today,” The New York Times,
February 25, 2000, p. E39 |
| 1999 |
Vogel, Carol. “Choosing
a Palette of Biennial Artists,” The New York
Times,
December 8, 1999, pp. E1, E5 |
| |
Hickey, Dave. “Best
of the 90’s,” ARTFORUM, December 1999,
p.12 |
| |
Duncan, Michael. “L.A.
Portraiture: Post-Cool," Art in America, October
1999,
pp. 124-131 |
| |
Miller, Alicia. "In
Your Face," Art Papers, July/August 1999, pp.
55-56 |
| |
Miles, Christopher. "Kurt
Kauper," ARTFORUM, "May 1999, p.183 |
| |
Knight, Christopher. "The
Case for Painting," The Los Angeles Times Sunday
Calendar, April 4, 1999, p. 4 |
| |
Pagel, David. "These
Grand Divas Are Truly Larger Than Life,"The Los
Angeles Times, February 26, 1999, p. F26 |
| 1998 |
Rickels, Laurence A. "Phantoms
of Opera," art/text, November 1998-January 1999,
pp. 61-66 |
| |
Pagel, David. "Visual
Stimulation in L.A.," Flash Art, Summer 1998,
pp. 116-120 |
| |
Cotter, Holland. "Painting
From Another Planet,” The New York Times,
July 24, 1998, p B39 |
| |
Peers, Alexandra. "Object
of the Week," The Wall Street Journal,
July 24, 1998, p. W12 |
| |
Schjeldahl, Peter. "Ultraloungerie," The
Village Voice, June 23, 1998, p. 153 |
| |
Pagel, David. "Aperto
Los Angeles," Flash Art, March-April, 1998, pp.
76-78. |
| |
Temin, Christine. "Art
Review," The Boston Globe, February 27, 1998,
p. C-1. |
| |
Silver, Joanne. "Visual
Arts," The Boston Herald, February 27, 1998,
p. S11. |
| |
McQuaid, Cate. "ICA
Shows Boston as Artist's State of Mind,"
The Boston Globe, February 21, 1998, p. C8 |
| |
Alimanestianu-Chao, Irina. "Kurt
Kauper: ACME.," Zing Magazine, Winter 1998, pp.
179-180. |
| |
Miles, Chris. "New
Faces in Portraiture," Zing Magazine, Winter
1998, pp. 39. |
| |
Cotter, Holland. "Judie
Bamber and Kurt Kauper," New York Times, January
2, 1998, p. E-41. |
| 1997 |
Knight, Christopher. "Best
Shows of 1997," Los Angeles Times Calender, December
21, 1997. |
| |
Kurt KauperPagel, David. "Kurt
Kauper," Editor's Choice, Bomb, Fall 1997 |
| |
Knight, Christopher. "Kurt
Kauper at ACME.," Art Issues, September/October,
1997, p.36 (cover illustration) |
| |
Pagel, David. "A
Mixture of Elegance, Androgynous Strength,"
The Los Angeles Times, May 9, 1997, p. F16. |
| |
Miles, Christopher. "Kurt
Kauper at ACME.," Artweek, July, 1997 |
| 1996 |
Pagel, David. “Art
Reviews,” The Los Angeles Times, August 8, 1996.
p. F11 |
| 1995 |
Brown, Gerard. "Dream
On," Philadelphia Weekly, December, 1995. p.
81 |
| |
Frank, Peter. "Pick
of the Week," L.A. Weekly, November 3-November
9, 1995: p. 130 |
TEACHING EXPERIENCE
| 2005
to Present |
Queens College, City
University of New York, New York, NY |
| 2000 to 2005 |
Yale University School of Art,
New Haven CT, Assistant Professor |
| 1996 to 2000 |
School of the Museum of Fine Arts,
Boston MA, Painting Instructor |
| 1995 to 1996 |
Orange Coast College, Costa Mesa
CA, Painting Instructor |
AWARDS AND HONORS
| 2001 |
Pollock Krasner Foundation
Grant |
| 1999 |
Louis Comfort Tiffany Foundation
Grant |
| 1995 |
Kay Nielsen Memorial Award for
Drawing |
| 1993 |
Kay Nielsen Memorial Award for
Drawing |
| 1989 |
Elizabeth Greenshields Foundation
Grant |
| 1988 |
Elizabeth Greenshields Foundation
Grant |
COLLECTIONS
| The Museum of Modern Art, New York |
| Yale University Art Gallery |
| The Weatherspoon Museum, Greensboro,
North Carolina |
| The Oakland Museum of Art |
|